William S. Burroughs Cutting Up the Century is the definitive book on Burroughs' overarching cut-up project and its relevance to the American twentieth century. Burroughs's Nova Trilogy ( The Soft Machine, Nova Express, and The Ticket That Exploded) remains the best-known of his textual cut-up creations, but he committed more than a decade of his life to searching out multimedia for use in works of collage. By cutting up, folding in, and splicing together newspapers, magazines, letters, book reviews, classical literature, audio recordings, photographs, and films, Burroughs created an eclectic and wide-ranging countercultural archive. This collection includes previously unpublished work by Burroughs such as cut-ups of work written by his son, cut-ups of critical responses to his own work, collages on the Vietnam War and the Watergate scandal, excerpts from his dream journals, and some of the few diary entries that Burroughs wrote about his wife, Joan.
William S. Burroughs Cutting Up the Century also features original essays, interviews, and discussions by established Burroughs scholars, respected artists, and people who encountered Burroughs. The essays consider Burroughs from a range of starting points—literary studies, media studies, popular culture, gender studies, post-colonialism, history, and geography. Ultimately, the collection situates Burroughs as a central artist and thinker of his time and considers his insights on political and social problems that have become even more dire in ours.
Joan Hawkins is an Associate Professor in Cinema and Media Studies, IU Media School. She is the author of Cutting Edge: Art-Horror and the Horrific Avant-garde (U of Minnesota Press, 2000) and the editor of Downtown Film and TV Culture 1975-2001 (UK:Intellect and US: University of Chicago Press, 2015). She has written extensively on horror, taste politics and the avant-garde, and this new book draws on her interest in those fields. She is currently editing an anthology of essays on 1968 radical aesthetics and writing a monograph on independent horror.